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Sadacalesvaram
Composition by Muttuswaamee Dikshitar
About
Title: Sadacalesvaram
Composer: Muttuswaamee Dikshitar
Language: Sanskrit
Ragas: Bhupala
Talas: Adi
- karnatik.com
- Shivkumar Kalyanaraman (shivkumar.org): Notation (HTML)
- Shivkumar Kalyanaraman (shivkumar.org): Notation (PDF)
- Shivkumar Kalyanaraman (shivkumar.org): Detailed lesson (MP3)
- sangeetham.com
Lyrics
pallavi
sadacalesvaram | ,,bhavayeham || camatkara pura- | geham girija moham || sadacalesvaram | ,,bhavaye ||| ||
anupallavi
sadasrita kalpa | vrksa samuham || caranagata de- | vata samuham || udajya krta namadeya vaham | cidananda mrta pravaham || (sada)
caraNam
camatkara bhu- | paladi pra- || sada karana nipu- | na mahalingam || caya rahita | dipa praka- || sa garbha grha | madhya rangam || samasta dukkha- | di hetu bhuta || samsara sa- | gara bhaya bhangam || samadamopa ra- | tyadi samyukta || sadhujana hrdaya | sarasija bhrngam || kamala vijaya kara vidhrta kurangam | karunarasa sudharnava tarangam || kamalesa vinuta vrsabha turangam || kamala vadana guruguhanta rangam || (sada)
Notation
From Shivkumar Kalyanaraman (shivkumar.org)
Pallavi Sadaachaleshvaram Bhaavayeham Chamatkaara Purageham Girijaa Moham Anupallavi: Sadaashrita Kalpavruksha Samooham Sharanaagata Devataa Samooham Udaajyakruta Naamadheyavaaham Chidaanandaamruta Pravaaham Charanam: Chamatkaara Bhoopaalaadi Prasaadakarana Nipuna Mahaalingam Chayaarahita Deepa Prakaasha Garbha Grhamadhyarangam Samasta Dukkhaadi Hetubhoota Samsaara Saagara Bhayabhangam Samadamo Pavrutyaadi Samyukta Saadhujana Hrudaya Sarasijabhrungam Kamala Vijayakara Vidhrutakurangam Karunaarasa Sudhaarnava Tarangam Kamalesha Vinuta Vrushabha Turangam Kamalavadana Guru Guhaantarangam Meaning: (from www.sangeetham.com) I (“aham”) meditate (“bhaavaye”) on Sadachaleswara, who resides (“geham”) in Chamatkarapura (Tiruvarur) and is the beloved (“moham”) of Girija. To his devotees (“ashrita samooham”) he is always (“sadaa”) like the Kalpaka tree (“vruksha”), which grants all boons. He is worshipped (“sharanaagata”) by the entire clan (“samooham”) of Devas (“devataa”). He is very famous as being worshipped (“naamadheya”) in the form (“vaaham”) of a lamp (“udaajyakruta”) that used water instead of ghee. He is the embodiment of inner bliss (“chidaananda”) which flows (“pravaaham”) like pure nectar (“amruta”). He is the Mahalinga who blessed (“prasaada-karana nipuna”) the King (“bhoopaala”) of Chamatkarapura and others (“aadi”). His sanctum (“grahamadhyarangam”) has no (“rahita”) shadows (“chaaya”) as the lamp (“deepa”) there dispels all darkness and preserves light in its womb (“prakaasha garbha”). He destroys all (“samastha”) the fears (“dukha-aadi” or “bhaya bhangam”) of the worldly (“Samsaara”) who are immersed in the ocean (“saagara”) of mundane existence. He is the bee (“brungam”) that hovers around the lotus like (“sarasija”) hearts (“hrudaya”) of the Sadhus (“saadhujana”) who have perfect control (“samadamo”) over their senses (“samyuktha pravrutyaadi”). His hand, which is better than (“vijayakara”) the lotus (“kamala”) in beauty (“vidruta”) holds a deer (“kurangam”). He like (“tarangam”) a nectar (“sudha”) filled ocean (“arnava”) of mercy (“karunaarasa”). He is worshipped by the husband (“esha”) of Lakshmi (“Kamala”) and has a bull (“vrushabha”) for his mount (“turangam”). He resides (“angam”) in the heart (“antara”) of the lotus (“kamala”) faced (“vadana”) Guruguha. Notes: This is the first of the Tiruvarur Panchalinga kritis. Composed in praise of Sadachaleswara. The song refers to Tiruvarur as Chamatkara (“miracles”) pura (“town”) or the town of miracles.The reference to the lamp burning with water instead of oil pertains to Naminandi Adigal, a devout Sahivaite who is credited with the creation of the Kamalalaya Tank. In a tussle with the Jains, he is said to have won, by lighting a lamp at this shrine, using water instead of ghee. There are three references to the lotus in this kriti. The Achaleswara sanctum is still the place where lotus garlands are prepared for the Tiruvarur temple. The Achaleswara temple is a fine example of early Chola architecture and abounds with sculptures. It is said to be a model for the Big Temple in Tanjavur. Dikshitar introduces the raga mudra, by using the word Bhupala, which also means King. The suffix “aadi” used in this word (“bhoopaalaadi”) also refers to the talam to which the song is set! Pallavi Sadaachaleshvaram Bhaavayeham Chamatkaara Purageham Girijaa Moham I (“aham”) meditate (“bhaavaye”) on Sadachaleswara SD ;S P; dp G | ; - gp G - R S; ;; || Sadaa - cha le - shva-ram - Bhaa- va ye- -- SD ;S P; dp G | ; - gp G - R S; dspd || Sadaa - cha le - shva-ram - Bhaa- va ye- ham-- SD ;S P; dp G | ; - gp G - R S; ;; || Sadaa - cha le - shva-ram - Bhaa- va ye- -- .. who resides (“geham”) in Chamatkarapura (Tiruvarur) and is the beloved (“moham”) of Girija. S S ; sr GG dp G | G R S; g p g p pd p d || Cha ma - tkaa - ra Pu- ra ge- ham Girijaa- Mo-ham- srs-d ;- sr s- P , pdp - g | ; - gp G - R S; ;; || Sadaa - cha le - shva-ram - Bhaa- va ye- -- S S ; sr GG dp G | G R S; g p g p pd p d || Cha ma - tkaa - ra Pu- ra ge- ham Girijaa- Mo-ham- SrsS-d ;- Sr sS- P , PdpP - g | ; - gp G R gd ; ;; || Sadaa - cha le - shva-ram - Bhaa- va - ye- -- ;; dssd ;P ;; |;; ;; ;; ;; || -- --- -- -- -- -- -- -- Anupallavi: Sadaashrita Kalpavruksha Samooham Sharanaagata Devataa Samooham Udaajyakruta Naamadheyavaaham Chidaanandaamruta Pravaaham To his devotees (“ashrita samooham”) he is always (“sadaa”) like the Kalpaka tree (“vruksha”), which grants all boons. S D ;G R , -s ;R |G; P- G gP , P; || Sadaa - shri ta Kal - pa vru- ksha Sa moo ham He is worshipped (“sharanaagata”) by the entire clan (“samooham”) of Devas (“devataa”). ,dP G; GR ,S,|RG ; P gp dp D; || Shara naa- ga ta De va taa - Sa moo-- ham He is very famous as being worshipped (“naamadheya”) in the form (“vaaham”) of a lamp (“udaajyakruta”) that used water instead of ghee... p P- d p g- P d - S d S S | ; ; ;; ;; ;; || Udaajya kru ta Naa ma dheya vaaham - - -- -- -- … He is the embodiment of inner bliss (“chidaananda”) which flows (“pravaaham”) like pure nectar (“amruta”). p P- d p g- P d - S d S S | r S - d ; P , d p g P D || Udaajya kru ta Naa ma dheya vaaham Chidaanan - daa - mrutaPra vaaham p P- d p g- P d - S d S S | r S - d ; P , d p g P d r || Udaajya kru ta Naa ma dheya vaaham Chidaanan - daa - mrutaPra vaa ham Charanam: Chamatkaara Bhoopaalaadi Prasaadakarana Nipuna Mahaalingam Chayaarahita Deepa Prakaasha Garbha Grhamadhyarangam Samasta Dukkhaadi Hetubhoota Samsaara Saagara Bhayabhangam Samadamo Pavrutyaadi Samyukta Saadhujana Hrudaya Sarasijabhrungam Kamala Vijayakara Vidhrutakurangam Karunaarasa Sudhaarnava Tarangam Kamalesha Vinuta Vrushabha Turangam Kamalavadana Guru Guhaantarangam He is the Mahalinga who blessed (“prasaada-karana nipuna”) the King (“bhoopaala”) of Chamatkarapura and others (“aadi”). G R ;S ;R G; |P; ;G ;R ;R || Chamat - kaa - ra Bhoo paa- - laa - di - Pra S ; D G RS P D | S- R G ; pgP G; || saa- da- ka ra na Nipu na Ma haa- lin- gam His sanctum (“grahamadhyarangam”) has no (“rahita”) shadows (“chaaya”) as the lamp (“deepa”) there dispels all darkness and preserves light in its womb (“prakaasha garbha”). G; ;P ;D DP |G; ; dpgg ; gr , rS || Chaa - yaa - ra hi ta Dee- - pa- - - Pra - kaa- s d- G ;R ;; ,r G | P; ;D dppg ; P ; || sha- Gar - bha - - - Gruha maa - dhya ran- - - gam- He destroys all (“samastha”) the fears (“dukha-aadi” or “bhaya bhangam”) of the worldly (“Samsaara”) who are immersed in the ocean (“saagara”) of mundane existence. G P ;P G; dp D | P - gdpg ; G gr R S; || Sa ma - sta Du kkhaa- di He- - - tu bhoo- ta - S; ;S ;R S ,r | pg G P P D ; S; || Sam - saa - ra Saa- ga- ra Bha ya bhan- gam He is the bee (“brungam”) that hovers around the lotus like (“sarasija”) hearts (“hrudaya”) of the Sadhus (“saadhujana”) who have perfect control (“samadamo”) over their senses (“samyuktha pravrutyaadi”). D P G-P ;P ,G, |D; D- dpP ; D ;R || Shama da mo - Pra -vru- tyaa- di Sam- - yu - kta S; rs - sd dp - pg g r S | S rg , r S D; S; || Saa- dhu ja- na Hru da-ya Sa ra-- - si ja bhrun gam His hand, which is better than (“vijayakara”) the lotus (“kamala”) in beauty (“vidruta”) holds a deer (“kurangam”). He like (“tarangam”) a nectar (“sudha”) filled ocean (“arnava”) of mercy (“karunaarasa”). g d p- g s r- s r g r p - g P P | d p pg d p - s d , - r s - g R S || Kamala Vi ja ya kara Vidhruta ku rangam Karu naa rasa Sudhaar nava Ta rangam He is worshipped by the husband (“esha”) of Lakshmi (“Kamala”) and has a bull (“vrushabha”) for his mount (“turangam”). He resides (“angam”) in the heart (“antara”) of the lotus (“kamala”) faced (“vadana”) Guruguha. r g g r s - s d p - g p g - p g r s r | r g r - p g p - g d p D - r s r s r || Kamale - sha Vinuta Vrushabha Tu ran- gam Kamala va dana Guru Guhaa nta ran-gam-
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